Joanna Drimatis Joanna Drimatis

“Under the nuanced baton of Joanna Drimatis, last night’s reduced orchestra nobly tackled the challenges presented by the Figaro score…”

“Under the nuanced baton of Joanna Drimatis, last night’s reduced orchestra nobly tackled the challenges presented by the Figaro score…they succeeded in drawing out the charming folk influence on its melodies, which can often be obscured by larger orchestral forces.”

Limelight

“Under the nuanced baton of Joanna Drimatis, last night’s reduced orchestra nobly tackled the challenges presented by the Figaro score…they succeeded in drawing out the charming folk influence on its melodies, which can often be obscured by larger orchestral forces.”

Limelight

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Joanna Drimatis Joanna Drimatis

“…Drimatis led the players with a firm, crisp style and supportive communication, and the enjoyment of the players was evident from the start.”

“The evening was rounded off by gathering all artists and guests of the festival in Darius Milhaud’s La Creation du Monde. Conductor Joanna Drimatis led the players with a firm, crisp style and supportive communication, and the enjoyment of the players was evident from the start.”

classikON

The evening was rounded off by gathering all artists and guests of the festival in Darius Milhaud’s La Creation du Monde. Conductor Joanna Drimatis led the players with a firm, crisp style and supportive communication, and the enjoyment of the players was evident from the start.

classikON

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Joanna Drimatis Joanna Drimatis

“…Drimatis interpreted the work into a broad landscape, rich in its emptiness, the players responding with commendable control.”

“The strong atmosphere of Earth Cry by Australian composer, Peter Sculthorpe was brilliantly captured. Conductor Joanna Drimatis interpreted the work into a broad landscape, rich in its emptiness, the players responding with commendable control.”

– Christchurch Press

“The strong atmosphere of Earth Cry by Australian composer, Peter Sculthorpe was brilliantly captured. Conductor Joanna Drimatis interpreted the work into a broad landscape, rich in its emptiness, the players responding with commendable control.”

– Christchuch Press

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